TUES. JUNE 30, 2026

The Works Street Stage

TUES. JUNE 30, 2026

12:15PM &
1:45PM - Ryan Davidson

3:15pm &
4:45PM – Kat Kadoski

7:15PM &
8:30PM – Mr. Relaxer

*Special thank you to our emcee, Patricia Darbasie.


Kat Kadoski Tree-o

4:30PM

Meet the group

Our sound is Joyful, Heartfelt and Dynamic!

We play music we love to play and have a great time playing it! Genre bending is fun. It's wonderful to explore a diverse range of styles from roots/country to jazz/folk. We like to mix it up!

Shane Sutherland - bass

Shane has toured with many acts including Heather Blush and the Uppercuts, a dedicated seasoned musician and wonderful performer!

fun fact: Shane is also a person who likes to collect and share knowledge and facts about his Metis Ancestral roots!

Keith Bjorndahl - drums & backing vocals

Keith has played with many musicians from Vancouver Island, including popular Sidney band, "The Haven,"

A wonderful and versatile drummer and singer!

fun fact: Keith is also a pilot!

Katrina Kadoski: vocals, guitar & songwriter

An award winning enthusiast for creating and performing live original music (without using AI !! ) Katrina is a lifelong lover of the musical artform for healing, telling stories, connecting people and having fun.

Fun fact: her preferred mode of travel is the bicycle

Mr Relaxer

7:15PM & 8:30PM

Edmonton-based trio Mr Relaxer is a Venn Diagram of dark post-wave music, independent craftsmanship, and cutting-edge technology. Originally a college-radio-topping project from fifteen years ago, the band has rebooted as a pop-forward power trio featuring original member Clinton Carew (vocals/bass) alongside Paul Bellows (vocals/guitar) and Scott Shpeley (vocals/drums).

Individually, their careers span off-Broadway theater, award-winning film, and major U.S. record labels. Collectively, they double as technology developers, seamlessly integrating advanced AI and filmmaking tech into their creative output.

Mr Relaxer’s appeal is their approach to sonic architecture, lyrics, and active listening. Rejecting the standard retro-80s synthesizers of the post-wave genre, the band engineered a hardware-driven sound.

Their songs - showcased on their upcoming album, Re-Entry - live between The National and The Pixies. Driven by a rhythmic "lead bass" style, processed and analog guitar tones, and Carew’s complex, baritone vocals, their songs explore themes of dissonance and dark nostalgia.

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WED. JULY 1, 2026